Malaad Roy is the name French musician Dany von Del Baüt uses when he plays folk music: a project with which he wants to create suspended, out-of-time moments through fragile and introspective compositions.

His songs are like creatures that he takes to the stage for the audience to meet, presented naked as they came.
An acoustic guitar accompanies a singular voice that came to tell stories that are sometimes realistic, sometimes fantastic but always other-directed.